Dimage Z2 From Konica Minolta Digital Cameras

40X Mega-Zoom APO GT Zoom Lens The f/2.8 – 3.5, 10X optical zoom is an apochromatic (APO) GT lens employing anomalous dispersion (AD) glass and aspheric elements to ensure maximum color fidelity while suppressing distortion at the outer edges of an image. With a focal range of 5.8mm to 58mm, this mega-zoom lens is equivalent to a 38 – 380mm lens in the 35mm format. The DiMAGE Z2 user will notice the benefits of the APO GT lens immediately: every single shot comes out sharper, clearer, and without any color aberration, even when using a large aperture setting. When combined with the seamless 4X digital zoom function, this mega-zoom lens has an outstanding 40X zoom range, equivalent to 38 – 1520mm. Fast Startup/Response Time Every aspect of the DiMAGE Z2’s performance is pushed to the limit. Startup time is a mere 1.8 seconds and shutdown time is 2.4 seconds. After focus has been locked, the shutter-release time lag is 0.06 second -- comparable to a 35mm SLR camera. The Z2 is ready to capture another image in just 1.2 seconds after the previous exposure. Rapid Autofocus with Predictive Focus Control Powerful lens optics combined with a high-resolution 4 megapixel 1/2.5 interline primary-color CCD require a powerful autofocus system. The DiMAGE Z2 features Rapid AF with Predictive Focus Control to ensure sharp images with minimum delay. The Rapid AF system uses a high-speed drive to focus the lens quickly and smoothly – a 0.3 second focusing time at a focal length of 5.8mm and 0.4 seconds at 58mm -- giving the DiMAGE Z2 the world’s fastest AF among digital cameras with a built-in 10X or greater optical zoom as of January 1, 2004. Predictive Focus Control All cameras experience a minute delay from when the shutter-release button is pressed until the image is captured. Especially at long focal lengths, this slight delay can be significant with fast-moving subjects. The DiMAGE Z2 uses Predictive Focus Control to compensate for the delay and adjust focus right up until the exposure is made. Better than TV Quality Movie Recording High-quality VGA (640 x 480) movies at 30fps can be recorded, with quality comparable to S-VHS video. Or try the world’s first 15 fps SVGA (800 x 600) movie option. Viewed on a PC, the SVGA movie delivers approx. 6.3 more pixels than the standard QVGA (320 x 240) format favored by other digital cameras. You can keep recording until the memory card is full. Because the DiMAGE Z2 can capture large, high-quality VGA and SVGA movies, image sharpness and brightness is critical. During recording the Z2 will continue to autofocus to provide the sharpest possible image. Additionally, a night-movie mode can make color recordings under extreme low-light conditions. CxProcess II™ Image Processing Technology CxProcess II™ is used to bring out the best in the 4 megapixel CCD. CxProcess II controls the essential image qualities of color, contrast, and sharpness while minimizing noise. Brilliant, saturated color remains vibrant without becoming unnatural. Subtle contrast is rendered to retain the richness and depth of the subject while preserving details in the highlights and shadows. Sharpness is controlled to show fine detail while minimizing hard, unnatural edges. Super Macro Mode Capturing the intricate details in close-up photography has never been easier. The DiMAGE Z2’s Super Macro mode lets you focus as close as 1.2 in. (3cm) from the front of the lens. Switch Finder The DiMAGE Z2 is equipped with Konica Minolta’s exclusive Switch Finder. This unique system allows the camera’s LCD monitor to be viewed either directly or through the viewfinder. Since a single monitor is used, you need not worry about the color, contrast, and resolution difference between separate rear and viewfinder monitors. With the viewfinder’s large apparent angle-of-view, the monitor image is big and clear. Real Motion LCD Monitor The Real Motion LCD monitor uses a 60fps frame rate. This Real Motion frame rate makes live images look alive -- showing action smoothly compared to the slower 30fps rate of conventional monitors. Progressive Capture Progressive Capture drive mode makes sure you never miss the action. When the shutter-release button is pressed and held, Progressive Capture begins saving images in the buffer memory. Simply watch the action on the monitor. When it’s over, release the shutter button and the images in the buffer memory will be saved to the memory card. Five frames are saved with standard continuous advance and 12 frames with UHS continuous advance. Super-Fast UHS Continuous Shooting Regardless of how fast the action is, the DiMAGE Z2 can capture it. Select the UHS (Ultra High Speed) option from the rapid shooting menu. The enlarged 32MB internal memory allows the Z2 to capture 15 images at 10 frames per second. Powerful Built-In Flash The DiMAGE Z2 packs the most powerful flash ever built into a Minolta digital camera. With a guide number of 39.37 feet (12m), the flash can illuminate a subject up to approximately 20 feet (6m) away when used at the wide-angle position with autoexposure and auto camera sensitivity. Easy Movie Editing Simply select the scene you wish to cut from the footage being played back and save the edited version using the Movie Select Shot Function. Unwanted movie footage is removed, freeing up valuable memory space. The saved movie images can also be processed with one of the color modes. Real-Time Histogram Display Taking pristine images in brilliant daytime conditions has never been easier than with the DiMAGE Z2’s live viewfinder, equipped with a live histogram. Because it’s not always easy to determine the brightness levels within your image in direct sunlight, the histogram supplies the information you need to adjust exposure more accurately. A luminance reading can be displayed on the viewfinder before the picture is taken or during playback. The histogram displays luminance distribution at a glance, and also adjusts brilliance when viewing pictures and movies from the memory. Automatic Digital Subject Program Selection The DiMAGE Z2’s Automatic Digital Subject Program Selection analyzes the shooting conditions and selects the optimum exposure, white-balance, and image-processing program. Additionally, five subject programs: portrait, sports action, landscape, sunset, and night portrait, cover common and specialized shooting conditions and can be selected manually. Automatic Monitor Amplification When working in less than ideal lighting conditions, precisely framing an image on the monitor can be difficult. The DiMAGE Z2’s automatic monitor amplification brightens the monitor under low light so the live image is always visible. Custom Settings The Z2’s operations can be tailored to meet the photographer’s needs. For example, the function set using the flash-mode button can be customized to control the flash mode, white balance, drive mode, focusing mode, or color mode. Dark Noise Reduction Dark noise, an ever-present problem in electronic systems, manifests itself by giving a grainy or sandy appearance to images taken with long exposures. The DiMAGE Z2 combats this with selectable noise-reduction, which automatically activates for exposures of one second or longer. P/A/S/M Exposure Modes Like a fine 35mm SLR camera, the Z2 provides four exposure-control modes: programmed AE, aperture priority, shutter priority, and manual. Additionally, 30-second bulb exposures can be made in manual exposure mode. Three Metering Modes Another similarity to a high-quality 35mm SLR is the Z2’s three selectable metering modes: multi-segment, center-weighted, and spot. Multi-segment metering uses 256 segments to determine exposure. Creative Color Modes As well as natural color and black & white, the DiMAGE Z2 has two color modes for creative control: vivid color and sepia. Vivid color increases the saturation to produce vibrant color images. Sepia creates the feel of antique photographs with its warm tone. Auto, Preset, or Custom White Balance White balance controls how the camera interprets the color of the ambient lighting. Auto white balance compensates for changes in lighting automatically. Five preset white-balance settings: daylight, cloudy, tungsten, fluorescent, and flash, can be selected for specific light sources. For critical control over color, the custom setting allows the camera to be calibrated to the lighting conditions at the scene. Fluid Playback Part of the excitement of digital photography is being able to immediately see the pictures you have taken. With the flick of a switch, you can access the recorded images; playback is fluid from frame to frame. Rotate Function Don’t worry about turning the DiMAGE Z2 this way and that to view your images. Pictures can be rotated to orient them correctly so you don’t need to twist your head to the left or right when playing back vertically framed shots. Compact Design The DiMAGE Z2 design reflects the sophistication and future of digital technology. Significantly smaller than a compact 35mm SLR camera with a built-in flash and zoom lens, this powerful imaging system can easily slip into a fanny pack or hip bag. And weighing only 10.75 ounces, it will definitely not be a burden. Easy Operation The controls and dials are laid out for clear, intuitive operation. The large exposure mode dial and zoom lever are located on top of the grip for quick changes to camera settings. The controller on the back of the camera is a straightforward, five-way array used to control many of the camera’s advanced features and menus. The large grip gives the DiMAGE Z2 secure, comfortable handling; when handholding the camera in low-light conditions or when using long focal lengths, nothing is more important than a well-balanced grip to keep the camera steady. Uses AA Batteries Easy-to-find AA batteries power the DiMAGE Z2. Alkaline or rechargeable Ni-MH can be used. No matter where you are in the world, you will never have to worry about finding extra batteries. Direct Printer Connection Printouts can be made easily, without going through a computer, by directly connecting the DiMAGE Z2 to a PictBridge-compliant printer. You can check which image you want to print on the LCD monitor. PictBridge is an industry standard established by the Camera & Imaging Products Association (CIPA). ArcSoft VideoImpression™ 2 ArcSoft VideoImpression 2, bundled with the DiMAGE Z2, offers a fun way to merge your movie clips and still shots. Working through a step-by-step guide, you can add text, music, and special effects to your movie. Then, record the finished movie onto a video CD. Optional High-Power Flash Units The DiMAGE Z2 is compatible with Program/Maxxum Flash 3600HS (D), 5600HS (D), and 2500 (D) units. These powerful accessory flashes can be used directly on the camera. The 3600HS (D) and 5600HS (D) have a zoom head that automatically adjusts as the camera’s lens is zoomed in and out, and the head can be tilted for bounce illumination. The 5600HS (D) head also swivels, and the flash output can be controlled with power ratios. The 2500 (D) is a compact, automatic flash with a tilting head and an affordable price tag. Optional 0.75X Wide Converter To extend the versatility of the powerful 10X optical zoom, an optional 0.75X wide-converter is available. This lens attachment increases the lens’ angle-of-view, giving it a maximum coverage approximately equal to a 28mm lens on a 35mm SLR camera. The adapter ring supplied with the wide-converter allows 52mm filters to be used.
Specifications
Number of effective pixels | 4.0 million | CCD | 1/2.5-type interline primary-color CCD Total pixels: 4.2 million | Camera sensitivity | Auto and 50,100, 200, and 400 ISO equivalents | Focal length | 6.3 - 63mm (35mm equivalent: 38 – 380mm) | Lens construction | 11 elements in 7 groups (includes two elements with three aspheric surfaces) | Maximum aperture | f/2.8 – f/3.7 | Minimum focus distance | From front of lens: Wide: 1.6ft (0.5m) Telephoto: 6.6ft (2m)
From CCD: Wide: 1.9ft (0.57m) Telephoto: 6.8ft (2.07m) | Minimum macro distance | | | Super Macro | Standard macro | | Focal length | 11.1mm* | Wide | Telephoto | | From front of lens | 1.2 in. (3 cm) | 2.6 in. (7 cm) | 39.3 in. (100cm) | | From CCD | 3.9 in. (10cm) | 5.5 in. (14 cm) | 42.1 in. (107cm) | * at 11.1mm only | Maximum magnification | 0.15x Equivalent to 0.90x in 35mm format | Area covered at maximum magnification | 1.5 x 1.1 inches (39 x 28mm) | LCD monitor | 3.8cm (1.5 inch) low-temperature polysilicon TFT color with anti-reflection coating Total number of pixels: 113,000 Automatic monitor amplification | Field of view | Viewfinder: Approximately 98% LCD monitor: Approximately 100 % | Display-mode switch | Viewfinder display, LCD-monitor display Switch Finder system allows the monitor to be viewed directly or through the viewfinder. | Diopter control | – 3 ~ +1m-1 | Eye relief | 18.8mm | Shutter | CCD electronic shutter and mechanical shutter | Shutter speed range | 4 - 1/1000 second in programmed-AE and aperture-priority modes. 15 - 1/1000 second in shutter-priority and manual exposure modes. Bulb (maximum 30 seconds) 2 - 1/1000 second in auto-recording and Digital Subject Programs | Autofocus system | Rapid AF: a combination of a passive AF sensor with the video AF system | Autofocus areas | 3-Point Wide Focus Area, Spot focus areas with Focus Area Selection | Focus modes | Single-shot AF, Continuous AF with predictive focus control, Full-time AF, Manual focus. | Focus lock | By pressing shutter-release button partway down. | Metering | Multi-segment, Center-weighted, Spot | Multi-segment metering | 256 segments | Exposure modes | Programmed AE, Aperture priority, Shutter priority, Manual | Digital Subject Programs | Portrait, Sports action, Landscape, Sunset, Night portrait.Automatic and manual selection. | Exposure compensation | ±2 EV in 1/3 increments | AE lock | By pressing shutter-release button partway down | Flash metering | Pre-flash TTL | Flash range | Wide: Approximately 0.8 – 20 ft. (0.23 – 6.1 m) from CCD Telephoto: Approximately 4.1 – 15 ft. (1.27 – 4.6 m) from CCD(Camera sensitivity: auto) | Flash modes | Autoflash, Autoflash with red-eye reduction, Fill flash, Slow-shutter sync. Autoflash not available with aperture priority, shutter priority, and manual exposure modes. Flash cancel by pushing the built-in flash down. | Flash recycling time | Approximately 5 seconds | Flash compensation | ± 2 EV in 1/3 increments | Flash-sync speeds | All shutter speeds | External flashes | Auto-flash metering with Program/Maxxum Flash 2500 (D), Program/Maxxum 3600HS (D), Program/Maxxum Flash 5600HS (D) | Continuous advance | UHS (Ultra High Speed) continuous advance: Approximately Ten 1280x960 frames in one second Standard continuous advance: Approximately 1.5 frames per second *Actual speed may vary depending upon the subject and camera settings. Approximate number of frames that can be captured at one time with the continuous-advance drive modes:
UHS continuous advance (1280 x 960) | | Fine | 10 frames | | Standard | 10 frames | | Economy | 10 frames |
Standard continuous advance | | | 2272 x 1704 | 1600 x 1200 | 1280 x 960 | 640 x 480 | | Fine | 5 frames | | Standard | 5 frames | | Economy | 5 frames | *Actual number of images may vary depending upon the subject and camera settings. | Progressive Capture | Maximum number of images that can be recordered with the Progressive Capture Mode: UHS: 12 frames (10 frames per second) Standard: 5 frames (2.5 frames per second) | Exposure bracketing | Three frame bracket in 1.0, 0.5, 0.3 EV increments | Self-timer | Approximately 10 seconds | Movie | Recording time dependent on memory card capacity, image size, and frame rate. Frame rate: 15 frames per second, 30 frames per second. Fast forward and rewind control With and without monaural audio with playback volume control. Jogging, Movie frame capture, Movie editing, Night movie (automatic selection or disabled) | White balance control | Automatic, Preset (Daylight, Cloudy, Tungsten, Fluorescent, Flash), Custom | Digital Effects Control | Contrast compensation, Sharpness | Contrast compensation | Three levels (Low, Normal, High) | Sharpness settings | Three levels (Soft, Normal, Hard) | Color modes | Natural Color, Vivid Color, Black and white, Sepia | Noise reduction | User selectable dark noise reduction | Digital zoom | Maximum 4x in 0.1x increments | Copy function | To copy single or multiple images to the same or another memory card | E-mail Copy function | Creates a compressed 640 x 480 or 160 x 120 JPEG image for transmission | Date imprinting | Year/month/day (Format can be changed.) Imprinting can be disabled | Key customization | The function activated by the flash-mode button can be changed. | Image-quality modes | Fine, Standard, Economy | Number of recorded pixels (Still images) | 2272 x 1704, 1600 x 1200, 1280 x 960, 640 x 480. 1280 x 960 in UHS continuous-advance mode | Number of recorded pixels (Movie clips) | 800 x 600, 640 x 480, 320 x 240, 160 x 120 | Storage capacity | Approximate storage capacity of a 16MB SD (Secure Digital) Memory Card:
Still Images | | | 2272 x 1704 | 1600 x 1200 | 1280 x 960 | 640 x 480 | | Fine | 7 frames | 14 frames | 22 frames | 69 frames | | Standard | 14 frames | 27 frames | 39 frames | 100 frames | | Economy | 27 frames | 47 frames | 69 frames | 150 frames |
Movie Clips | | 800x600 | 640x480 | 320x240 | 160x120 | | 30 fps | - | 13 sec. | 21 sec. | 1 min. 22 sec. | | 15 fps | 28 sec. | 25 sec. | 41 sec. | 2 min. 30 sec. |
* Movie clips recorded with audio. * Actual number of images may vary depending upon the subject and memory card used. | File formats | JPEG, Motion JPEG (MOV): with audio. DCF 2.0-compliant DPOF-compliant (Supported by printing functions in version 1.1) Exif 2.21 | Folder name formats | Standard, Date | Printing output control | Exif Print, PRINT Image Matching II, PictBridge | Recording media | SD (Secure Digital) Memory Cards, MultiMediaCards | Computer interface | Full-speed 12Mbps data transfer with USB 2.0 compatible computer | AV output | NTSC, PAL (selected on the camera) | Batteries | Four AA batteries: Alkaline, Ni-MH | Battery performance (Playback) | Approximate continuous playback time: 180 minutes with alkaline batteries. | Battery performance (Recording) | Approximate number of recorded images: 250 Conforming to CIPA ( included AA alkaline batteries, included SD memory card ) | External power source | 6V DC with specified AC adapter (sold separately) | Dimensions (WxHxD) | 4.31 x 3.05 x 3.15 inches (109.5 x 77.5 x 80mm) | Weight | Approximately 10.8oz. (305g) without batteries or recording media | Operating temperature | 32-104°F (0-40ºC) | Standard accessories | Neck Strap NS-DG6000, Lens Cap LF-242A, Accessory Shoe Cap SC-1000, AV Cable AVC-400, 16MB SD (Secure Digital) Memory Card, USB Cable USB-500, DiMAGE Viewer, ArcSoft VideoImpression 2 CD-ROM (for windows only), Four AA Alkaline batteries | Optional accessories | AC Adapter AC-1L, Camera Case CS-W20, Leather Neck Strap NS-DG1000, External High Power Battery Pack Kit EBP-100, Wide Converter Kit ZCW-100, Adapter ring for attaching filter/converter ZCA-100, Konica Minolta Program Flash 3600HS (D), 5600HS (D), and 2500(D) |
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